SoundstageOne of the most underestimated aspects of music production is creating a soundstage. We’re all familar with left, right and center, but it doesn’t end there. There’s also front and back. We can create an illusion of a 3D space by playing with volume, EQ, echo and reverb. A near sound is bright, clear and easy to pinpoint in the L/R/Center field. The sound will be reflected in the soundstage.
TINRS Tuesday Yes I know. It’s a weird name for a module. It’s manufactured by TINRS, an acronym for This Is Not Rocket Science. Tuesday is a sequencer, but it does its melodies through algorithms instead of programming steps. It looks stunning. It has X, Y and I inputs which influence the notes and intervals of the melody. It has outputs for note, gate, accent and velocity. Accent allows you
Today I found an item on Youtube where someone used Maths and a simple oscillator to recreate the Moog Subharmonicon, currently priced at 1600 euro or more. So I used a simple sine from the DPO, gave it a try and ended up with a magical piece of ambient music.
I’ve been experimenting with the MakeNoise Shared System to create a Didgeridoo sound, which turned out to be really cool. This also shows you need a lot of firepower to create a complex ‘natural’ sound like this. I am hoping to create a video for Shared System owners.
I was invited by Metapop and Native Instruments to join a live remix competition on the 18th of october, so I took my gear to Amsterdam and tried to create a decent remix in one hour. Native provided me with the new Komplete A25 keyboard and the handy Maschine Micro MK3. The original artist Raiden was on site to pick a winner. Really happy he chose my mix. Personally I
Tomorrow I’ll travel to Amsterdam for the annual Dance Event where the whole city is a stage. I am invited by Metapop/Native Instruments to participate in a live pressure cooker remix competition – obviously to show how much fun this platform really is. I am a Metapop Mentor, which basically means I try to help producers all over the world as much as I can. But the fun thing is,
Ok. It just happened. Last week I got the eurorack modular disease. The money black hole. The addiction that beats drugs, alcohol and other bad things. I had to make some choices. Sold my Yamaha Montage 6. Greats synth – maybe the best synth on the planet – but it always gave me a wedding party vibe. It’s not cool as a Bob Moog or a Sequential Dave Smiths. Eurorack
Hi Guys, Very blog starts with a first post and no audience. This one is no exception. Fortunately a lot has been going on since I came up with the idea of combining cinematic stuff with electronic music. So maybe a new genre was born, but I don’t really think in genres and styles. I love beats, patterns, wide space and emotions – translated to sound. I am a mentor